Maru UI Kit

One timeline for host playback, tracks and MIDI export.

Play, pause and seek a clip through its waveform.

Dial, ring or text controls: shared gestures, caption reveal, fitting and CC wiring.

Channel-strip slider, vertical or horizontal.

The Logic-style Low Cut / High Cut band bar.

Two-dimensional drag surface with a trailing glow.

N labelled points on a scaled top-down plan.

Two normalized controls, three post-computed corner weights.

Rocker, stomp or hardware lever with a satisfying pressed state.

Lit performance and console buttons whose glow can follow the music.

Draggable MIDI CC chips you can turn and reorder.

Pick keywords by category, preset-browser style.

The compact preset dropdown every face header carries.

Browse, filter, tag and save a whole preset library inside the face.

Draw and edit AHDSR over the take it shapes.

Tiles for generated takes, with pin and regenerate.

The envelope shape and its four knobs, kept in sync.

Hands on the curve: N draggable bands, two readings.

Live filter-bank levels and compact vocoder controls.

The sequencer grid: tap, paint, ride the velocity.

A bar as a circle, and the shape the pattern makes.

Play, stop, loop, a tempo you can drag, and a division that means something.

The playable surface: press, glissando, type.

A visual waveform picker in a compact popover.

A compact numeric input that commits once per gesture.

A compact keyboard for choosing a span of notes.

One pressed option out of a few, never none.

The piano keyboard that shows what a sampler instrument maps.

A drum machine's bank of velocity pads.

A take's waveform and spectrogram on one seconds axis.

An ADSR envelope you can draw on.

Volume bars with peak hold.

Compressor metering: IN and OUT bars, GR hanging from the top.

Filter response curve, computed rather than measured.

Transfer curve for a compressor or a gate, plus its GR meter.

What a waveshaper does to a sample, drawn.

A delay's echo train, drawn on a time axis.

The LED readout off the front of a rack unit.

The character screen bolted into the front of a rack unit.

The whole loop as a pitch × beat note grid, rendered at once.

Named lanes and hits drawn where they land, so swing is visible.

Bars across, dB downward, and a slot where you draw the signal.

Five states a face can tell apart, including the two that matter.

A big honest number: tabular, unitted, and a dash when there is nothing.

Where the sound sits between the speakers, and whether it survives a mono sum.

What the host told the plugin, what reached it, and what it produced — in eleven tabs.

Right-click a module face to open its diagnostics, and only where that is allowed.

Time-domain waveform trace.

A vectorscope figure from a single mono signal.

The stereo image as a shape — mono straight up, phase problems flat.

Frequency over time, live or prepared for a timeline.

The nodal figure sand draws on a driven plate.

An LFO's waveform, with a cursor on the live phase.

A pitch-class histogram on the wheel, with a tonal-centre needle.

Chords as shapes on a twelve-note dial.

Twelve bars: how much each pitch class sounded.

How the chords in a progression connect, by shared notes.

The harmonic fingerprint of a chord, in six bars.

Which of the twelve notes fit what you are playing.

Everything analysis can say about what is sounding.

FFT magnitude, as bars or a filled curve.

The bars-across, dB-down plot as pure maths — sharing the piano roll's x axis.

Where the playhead is, and whose clock said so.

Readable captions that fit the space their control provides.