Amp Rig
Tube-style drive into a real cabinet.
AvailableEffect
FX Mini
Drive, tone, and bounded feedback delay.
About
Distortion into a tone filter into a feedback delay - the pedalboard starter chain, and the SDK's teaching effect. The same kernel drives the offline batch renderer.
Signal graph.
ExperimentalA sketch of the signal path, in the order of the parameter groups.
How it works.
The chain is distortion into a tone filter into a feedback delay, in that order and with nothing hidden between the stages. The drive stage is a waveshaper with its own wet/dry mix, so you can blend saturated signal under the clean one rather than committing to it.
Tone is a biquad low-pass sweeping 200 Hz to 8 kHz, placed after the distortion because that is where a tone control does the most work - filtering harmonics the drive stage just generated, rather than filtering the input before they exist.
The delay is single-tap with feedback capped at 0.9. That cap is deliberate: the delay will self-oscillate and sing at the top of its range, but it cannot run away and damage your monitoring. This is the same kernel the offline batch renderer uses, so a render matches what you hear here.
